Resource

Bibliography

 

  • Barker, Thomas. Indonesian Cinema after the New Order: Going Mainstream. Hong Kong: Hong Kong UP, 2020.

 

  • Choe, Youngmin. Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema. Durham: Duke UP, 2016.

 

  • Chu, Stephen. Main Melody Films: Hong Kong Directors in Mainland China. Edinburgh: Edinburgh UP, 2022.

 

  • Djagalov, Rossen. From Internationalism to Postcolonialism: Literature and Cinema between the Second and the Third Worlds. Canada: McGill-Queen's UP, 2020.

 

  • Fu, Poshek. Hong Kong Media and Asia's Cold War. Oxford: Oxford UP, 2023.

 

  • Hockenberry, Matthew, eds. al. Assembly Codes: The Logistics of Media. Durham: Duke UP, 2021.

 

  • Hu, Brian. Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan. Edinburgh: Edinburgh UP, 2018.

 

  • Jaikumar, Priya. Where Histories Reside: India as Filmed Space. Durham: Duke UP, 2019.

 

  • Kang, Woosung. " Theorizing East Asian Minor Cinema." Symploke, Vol. 30, No. 1-2, (2022): 205-222.

 

  • Lee, Grieveson. Cinema and the Wealth of Nations: Media, Capital, and Liberal World System. California: University of California Press, 2018.

 

 

  • Lee, Joseph Tse-Hei, and Satish Kolluri, eds. Hong Hong Kong and Bollywood: Globalization of Asian Cinemas. London: Palgrave MacMillan, 2018.

 

  • Lee, Sangjoon. Cinema and the Cultural Cold War:US Diplomacy and the Origins of the Asian Cinema Network. Ithaca: Cornell UP, 2020.

 

  • Lee, Vivian P. Y. The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond. Edinburgh: Edinburgh UP, 2022.

 

  • Lowe, Lisa. The Intimacies of Four Continents. Durham: Duke UP, 2015.

 

  • Mazierska, Ewa, and Lars Kristensen, eds. Third Cinema, World Cinema, and Marxism. London: Bloomsbury Academic, 2020.

 

  • Miller, Toby, et al. Global Hollywood 2. Oakland: Univerity of California Press, 2004.

 

  • Neves, Joshua, and Bhaskar Sarkar, eds. Asian Video Cultures: In the Penumbra of the Global. Durham: Duke UP, 2017.

 

  • Phruksachart, Melissa." The Bourgeois Cinema of Boba Liberalism. " Film Quarterly,  Vol. 73, No. 3, (2020): 59–65.

 

  • Salazkina, Masha. World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War. California: University of California Press, 2023.

 

 

  • Schoonover, Karl, and Rosalind Galt." Figures in the World: The Geopolitics of the Transcultural Queer." Queer Cinema in the World, Durham: Duke UP, 2016.

 

 

  • Siddique, Sophia. "Mapping Regional Ambivalence and Anxieties in They Call Her... Cleopatra Wong." Southeast Asia on Screen: From Independence to Financial Crisis. Khoo Gaik Cheng, Thomas Barker and Mary Ainslie, eds.  Amsterdam: Amsterdam UP, 2020.

 

 

  • Solanas, Fernando, and Octavio Getino. " Toward a Third Cinema." Cinéaste, Vol. 4, No. 3, (1970): 1-10.

 

 

  • Steven, Mark. " Screening Insurrection: Marx, Cinema, Revolution." After Marx : Literature, Theory, and Value in the Twenty-First Century. Colleen Lye, Christopher Nealon, eds. Cambridge: Cambridge UP, 2022.

 

 

  • Taylor, Jeremy E. Rethinking Transnational Chinese Cinemas: The Amoy-dialect Film Industry in Cold War Asia. New York: Routledge, 2011.

 

 

  • Tsai, Beth. Taiwan New Cinema at Film Festivals. Edinburgh: Edinburgh UP, 2023.

 

 

  • Yau, Kinnia Shuk-ting. Japanese and Hong Kong Film Industries: Understanding the Origins of East Asian Film Networks. New York: Routledge, 2010.

 

 

  • Yip, Man-Fung. " Cinematic Solidarity and International Revolutionary Commitment: Cuban Documentaries on Vietnam." The Global Sixties, Vol. 15, No. 1-2, (2022): 165-179.

 

 

  • Zaniello, Tom. The Cinema of the Precariat: The Exploited, Underemployed, and Temp Workers of the World. London: Bloomsbury Academic, 2021.

 

 

Scroll to Top